[As a consequence of the fires on Maui, I was intrigued by the spiritual significance of the tragedy and the future return of the ancient Lemurian heritage, so I asked my spirit guides to help me visualize the higher dimensional City of Light over the Hawaiian islands. — Rob]
I asked my spirit guides to help me visualize the higher dimensional City of Light over the Hawaiian islands, especially as it coincided with the ancient Lemurian traditions. With the assistance of Archangel Uriel (and his Silver Flame of Illumination) and two of my personal guides, Humfire and Wakana’taka (since both appear to me as being of indigenous peoples heritage), I experienced an extremely detailed image of a “temple.” Really, it’s a gathering or meeting place. While the imagery of the place was very vivid, I was unsure of the purpose of what I saw, so the next day I channeled Wakana’taka to ask for an explanation of the purpose and significance of the building and its features. He did not disappoint!
What follows are excerpts from my initial meditation (which I thankfully recorded aloud) followed by the subsequent channeling.
“Rob: I ask Archangel Uriel to help me with a vision. My guides, Humfire and Wakana’taka, join him.
“I wish to envision the City of Light and, in particular, the temples that exist above Hawaii and Maui. I wish to add my energy, my love, to the efforts of so many to manifest the City of Light, to quicken its appearance above the sacred lands of Maui, the ancestral home of the royalty of the Hawaiian people, going back to its roots in Lemuria. I ask for your assistance and showing me the visions of the City of Light and the temples.
“I peer into a “looking glass” formed from Uriel’s Silver Flame of Illumination, strengthened with the energy of Humfire and Wakana’taka.
“I see the deep green of the mountainous terrain, the sharp spikes of mountains jutting upward. I see people gathering about a temple. They appear to be dressed in white, loose, flowing clothing (linens) — shirts that are long sleeve. Some are half length. Some are sleeveless. They are barefooted. They have dark, black hair — very straight.
“The temple is a platform or sits atop a platform. The platform is rather large, made of earth, encapsulated in stone. On each of the four sides is a staircase, again made of stone. The sides up to the corners are vertical standing stones. The interior is all filled with earth.
“Sitting atop the platform is a simple structure made of wood or a timber frame log structure. The walls, half walls, are made of woven palm fronds. At the front and back of the temple the roofline curves up like the bow and the stern of a boat. The top portion of the wall is open but under the overhang of the roof on all four sides.
“As I was expanding my vision outward of the temple complex, I realized that the roof line of the overall temple has four gables, [each] above the entrance on each side. So while I said the front and back of the temple is raised as the bow and the stern of a boat, the same is true for each of the two sides. It’s a rather complex roofline. So the roof line pitches up on the north side, the south side, the east side, and the west side, such that none of the sides are any greater or less than any of the others.
“In the interior, in the center of the room is another raised platform, and in the center of that platform, there is statue — or sculpture, rather. A circle, four circles, each facing outward towards the steps of that particular side of the temple platform. Each of the circles is made of gold. There’s one even below at the bottom of the four-square set of circles and one at the top, forming a cube, four circles on each side.
“It operates very much like this looking glass that I’m looking through now. It allows the people on each side around the central platform looking up at these golden circles to see visions. The one in the top receives energy. The circle at the top and the one at the bottom stream energy from above and below to power the four circles on each side. The four circles and, in fact, the entire temple is oriented to the cardinal directions, north, south, east, and west.
“The people can come in and sit on each side of the temple on the ground, allowing them to commune as a group to receive the energy from the temple while at the same time contributing to it. And the four sides, each correspond to the tribes that represent each of those four quadrants — tribes to the north, to the south, to the east, and to the west.
“And this temple serves as the heart, the heart portal of the entire planet. And the people of Lemuria come here to meditate, to commune, empowering the life force of all peoples on the planet, of nature as a whole.”
I was so excited about seeing this vision, as unexpected as it was, so I had to start drawing it, not only so I wouldn’t forget, but also to help others visualize what I saw.
A Lighthouse for the Soul 